Some years ago during a lunch outing with colleagues at Ableton, a passing joke was made along the lines of “Yeah, Live is very wabi-sabi.” Live being Ableton’s rather technical and modernist music-making software, and wabi-sabi being a traditional Japanese aesthetic theory anchored in impermanence and subjectivity. While the quip was a sarcastic comment made in jest, it did stick in my head a bit. Live certainly exhibits a modernist design philosophy based on explicit rationality, but it also has an austereness and simplicity that I associate with Japanese design. Since then I’ve been curious to better understand the overlap between conventional European modernism and traditional Japanese values of beauty.

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If you’re extremely familiar with songwriter Bill Callahan, you might already have read the title of this post with the same delivery as in his song Writing. If not, that’s okay, but perhaps consider giving that quality piece of music a listen.

The last time I wrote a blog post was December 5th, 2012, which was, oh, only 13 years ago. It was also on a different website, which I’d be happy to link to if said website didn’t have a problematic SSL certificate. Even before that my earliest blogging was in 2000, a whopping 26 years ago at the time of writing this (and only a few years after the concept of a “blog” was defined). Suffice it to say that to write again now is to do so in a very different context. But with that new context comes a blank slate, as well as accumulated experiences and new motivations.

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